iSound

Sydney based musician Alex J. has been involved with avant-garde/electronic music since his 1995 cassette recordings consisting of a couple ghetto blasters, sauce pans, triangle, and whatever he could find around the house. The next few years brought new musical collaborators and new gear into the mix, giving rise to a period of rhythmic, sample-based compositions under the pseudonym Valley of Death. From 2001 to 2003 Alex teamed up with Garry Bradbury (Winner/Sweden/exSize/Severed Heads) and the duo paired dark textures with a fatter, bass-drum driven sound before stunning audiences at 2002’s Big Day Out festival with their performance of punchy, atmospheric electronics under the name Velocity of Detonation. Though the project reached a point of notoriety, the partnership was put on hold for a variety of professional and personal commitments. In 2003, Alex began work on The Process Void with the idea to expand in a more synthetic direction. The Process Void's music involves melo...