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these 26 pieces for 1961 fender precision bass are comprised of two sets of miniature and minimalist cycles, recorded entirely over two seperate days in los angeles area studios; each contains the briefest treatment that roden could manage to convey the feelings and sensations at hand; they are as finite and elusive as leaves on a tree, as pearls on a string; a kind of melodic meditation - there is an idea, seeds, flowers... a kind of a musical seed catalogue in a med/mex ambient light, with a socal samba lurking beneath, an offering for equilibrium. |
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