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If there is one piece identified with Dodge, a "signature" piece if you will, it would have to be "Any Resemblance..." which has those qualities that seem to imbue his work in general -- charm, wit, poignancy and technical brilliance. The texture is rich, the piano playing a dramatic and dynamic role, but there is never the sell out to the trickier potentials of an idea like this one. Dodge restrains, and the piece is informed with a sad, ironic wit which points to a profound realization. Both "Any Resemblance..." and "Speech Songs" share this centrality of theme which must have something to do with loneliness and searching. Actually, in "Any Resemblance..", not all is restraint; it is in fact thrilling when the voice and piano find each other in the 'climax'. |
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